Chris Lyons’ art collection features black artists worldwide with artworks in both abstract and figurative styles. It includes pieces from established artists like Stanley Whitney, Nina Chanel Abney, Derrick Adams, and Vaughn Spann, as well as emerging talents like Gabriel Mills, Patrick Alston, and Muofhe Manavhela. The collection is a testament to a vision of a more inclusive world, using art as a medium for storytelling, representation, and empowerment.
LARRY’S LIST had a chat with Chris who shared about how NFTs drew him into collecting art, his encounter with Virgil Abloh, how his professional experiences shaped his perception of art and his collecting habit, and why “FOMO” (the fear of missing out) is the pet peeve in the art world.

Collecting

What made you want to start collecting art? What is the main motivation behind your collecting?
My journey into art collecting began with a curiosity about the intersection of physical and digital art, particularly NFTs. In 2020, I delved into the world of Cryptopunks, and it was then that I fully grasped the significance of how they transcended both art and technology. This experience led me to purchase two Punks (3206 and 1240), sparking a fascination with how blockchain technology could revolutionize the art world. The potential of on-chain royalties and the ability for artists to connect with their audience through wallet transactions offered a new paradigm that I found incredibly exciting. This technological shift promised to provide sustainable revenue streams for artists and opened innovative ways to engage with and understand one’s audience.
For me, art is a powerful medium to explore and express the multifaceted experiences of the Black community. My collection features works that resonate with my worldview and reflect the diverse stories and voices that shape our society. My motivation lies in pushing the art and technology industries forward, advocating for a future where the lines between physical and digital art continue to blur, creating new possibilities for artists and collectors alike. My collection is not just about owning beautiful pieces; it’s about being part of a dynamic, evolving conversation that spans cultures and technologies. I have always been drawn to the narratives and perspectives of emerging and established Black artists. I was captivated by how traditional artists like Derrick Adams’ “Reasonable Doubt NFT” or Nina Chanel’s “Super Cool World” could leverage blockchain technology to enhance their creative practice.

When did you fall in love with a piece of art? What was it?
The first piece of art that genuinely resonated with me was Derrick Adams’ “Self Portrait on Float,” crafted in 2019 using woodblock, gold leaf, and collage. This happened in 2021, a pivotal year in my career when I was promoted to General Partner at Andreessen Horowitz after an 8.5-year journey working in venture capital. I sought a piece that could symbolize and commemorate this significant milestone.
Sunserae Smith and Larry Ossei-Mensah originally introduced me to Derrick Adams’ work. The Floater series, in particular, struck a chord with me, embodying the powerful imagery of “Black people in leisure.” The piece’s depiction of a black unicorn resonated deeply with me. As a Black man in the venture capital industry and the first Black General Partner at my firm, the symbolism was unmistakable. In the tech industry, a “unicorn” represents an infrequent occurrence of a company achieving a “billion-dollar valuation.” The black unicorn was a fitting metaphor for my career journey as a venture capitalist since 1% of all tech founders are black, and 0.1% of venture capitalists are black and make it to General Partner.
“Self Portrait on Float” did more than just mark a career highlight; it unlocked a new understanding of art’s ability to tell layered, nuanced stories. With its rich symbolism and cultural commentary, this piece became a cornerstone of my collection, illuminating the profound messages that can be conveyed through a single artwork.

What is your focus regarding the artists in your collection, and why?
My collection is centered around artists with distinct styles unafraid to experiment with different artistic mediums. I have a particular affinity for artworks with vivid and dynamic color palettes, but the most critical aspect is the “story” that each piece conveys. Each piece is selected for its unique voice and the depth it brings to the overall collection. This includes artists like Rick Lowe’s unique depiction of maps that illustrate the history of redlining in Black communities in America, or Alteronce Gumby’s innovative use of crystals articulated in a piece like “Night of the Purple Moon, 2021”, and Prince Gyasi’s striking ability to utilize color and photography to capture profound moments worldwide as seen in “Restoration / 2021.”
The “WHY” behind an artist’s creation is another crucial element in my collecting philosophy, and knowing the motivations and inspirations behind these works allows me to connect more deeply with the art and the artists themselves. For instance, when I learned about Esther Mahalngu from Larry Warsh, I became captivated by her dedication to highlighting the tradition of Ndebele wives from South Africa painting homes after marriage. Her work showcases this cultural heritage and brings it into contemporary artistic discourse. Supporting Esther’s “WHY” and integrating her cultural expression into my home has been extremely meaningful.

What is the theme that unites all the works you have acquired?
My collection predominantly features works by Black artists worldwide, focusing on abstract and figurative styles. It includes pieces from established artists like Stanley Whitney, Samuel Levi Jones, Rashid Johnson, and Vaughn Spann, as well as artists from my generation like Gabriel Mills, Muofhe Manavhela, Cy Gavin, Patrick Alston, and Muofhe Manavhela. Ultimately, my collection celebrates these artists’ voices and stories, and my connection to many of the artists’ journeys truly unites the works in my collection.

What were the first and the latest artworks you purchased?
The first artwork I purchased was a piece by Jamaal Peterman titled “You Know That It’s Coming,” acquired in 2020. This artwork explored societal structures and the individual’s awareness of the forces that shape our lives. The artwork features a person encased in a protective shell, symbolizing a state of contemplation and preparedness. The figure faces outward, capturing a moment of realization and awareness of the imminent weight of societal structures, where you see a “city skyscraper” representing the corporate world. The protective layer signifies resilience, indicating that the individual, fully aware of these worldly pressures, has the time and capacity to respond thoughtfully. “You Know That It’s Coming” piece embodies a dual connotation of the negative and positive realities that everyone faces—acknowledging the burdens while also highlighting the potential for action and adaptation. This duality—of recognizing challenges yet being equipped to handle them—resonated deeply with me. The artwork is a powerful reminder that despite overwhelming pressures, there is always a path forward, marked by a resilient, proactive mindset. This piece set the tone for my collection, emphasizing the importance of narratives exploring individual and collective experiences.
The most recent artwork I purchased is from Rick Lowe’s first solo exhibition in Italy, titled “The Arch within the Arc,” during the 60th Biennale di Venezia. The historic Tuscan-Roman Renaissance architecture of Palazzo Grimani profoundly influences this piece. The abstract shapes channel the spirit of Venice’s unique metropolitan fabric, capturing the essence of the city’s streets, canals, and bridges navigating through the city’s streets and waterways. The art also aligns well with my fascination for aerial city views and maps and my interest in exploring new territories.

How many artworks do you own? Where do you display your collection?
I currently own over 40 art pieces, carefully curated to reflect diverse styles and narratives. My collection is displayed in my home, just outside Miami, Florida. This setting allows me to create a personal and intimate environment where each artwork can be appreciated in its full context. The vibrant and culturally rich atmosphere of South Florida complements the eclectic and dynamic nature of the collection, making my home an actual gallery space that celebrates both the art and the stories behind it.

Would you wish to present your art collection publicly?
This interview is my first official conversation about my art collection. My ultimate goal is to one day showcase these works in major museums worldwide, offering a platform for broader engagement and appreciation. I greatly admire what Swizz Beatz and Alicia Keys achieved with their traveling collection exhibition “GIANTS” show at the Brooklyn Museum, which went to the High Museum in my hometown of Atlanta and now will be at the Minneapolis Institute of Art. It was a powerful display of creativity and cultural expression. I hope to have a similar opportunity to present my collection to highlight the unique voices and stories behind each piece and contribute to the global dialogue on contemporary art and its impact on society. 

What considerations guide you to make a purchase?
The most valuable advice I’ve received when considering an art purchase is to ensure that I genuinely love the piece, regardless of its price. This is crucial because, ultimately, the artwork will be a part of my daily life. Collecting solely for potential financial gain feels short-sighted and detracts from the more profound, more fulfilling aspects of the collecting journey. The experience of living with art, appreciating its presence, and connecting with its narrative is what truly enriches the process.
Another key consideration is that if an artist’s work thoroughly convinces me, I aim to acquire the largest piece possible within my budget. This approach significantly supports the artist and makes a bolder statement within my collection, allowing the work to have a more pronounced impact. This strategy ensures that my collection reflects my passion and personal connection to the art, offering a continuous source of inspiration and joy.

What is your most treasured artwork?
My most treasured artwork isn’t a conventional piece but rather a unique memento from an extraordinary moment in my career. It dates back to an executive briefing at Andreessen Horowitz with Kanye West and Virgil Abloh just before the release of the first Yeezy shoe. At the time, Virgil was the creative director for DONDA, and he and Kanye visited our offices to explore emerging technologies that could enhance the launch of the Yeezy brand. This included discussions on blockchain technology with Coinbase and Kanye’s first experience with Virtual Reality through Oculus.
After the meeting, as I returned to help clean the conference room, I discovered a briefing paper that Virgil had been doodling on during the discussion. On this paper, Virgil outlined the initial concept for the Yeezy shoe, a design that would soon become iconic. Recognizing the significance of this impromptu sketch, I saved the doodle and eventually had it framed.
This piece is incredibly special to me, not only because it captures a pivotal moment in fashion and technology but also because it represents a personal connection to Virgil Abloh, whose work and influence I deeply respect. This doodle, more than just a drawing, reminds me of the innovative spirit and creative energy that both Kanye and Virgil brought to that meeting. It holds a special place in my memory and is a cherished artifact of a momentous occasion in my career and the broader cultural landscape.

How important is it for you to meet the artists who created the artwork?
Meeting the artists whose works I collect is always a meaningful experience. It’s about acquiring art and understanding the thought process and deeper meanings behind each piece, which resonated with me enough to purchase. This personal connection adds another layer to my appreciation of the art, enriching the narrative and context of the work.
I also find joy in having friends across various industries. Supporting artists who put their creative energy out there, often in the face of potential criticism, requires courage. I deeply respect and admire this bravery. Building relationships with these amazing artists allows me to support and encourage their continued creative endeavors. It’s a mutually enriching experience that makes collecting art even more rewarding.

How have your professional experiences shaped your perception of art or your collecting habit?
My professional career as a venture capitalist, music producer, and engineer has significantly influenced my approach to art collecting. These experiences have honed my appreciation for the creative intersections of culture and innovation. In venture capital and music, I seek groundbreaking ideas and projects that push boundaries, much like the qualities I value in art.
In venture capital, identifying a quality investment often involves recognizing an idea that pushes the limits of what’s possible, like discovering a song that becomes a hit due to its unique sound and innovative approach. This same principle applies to my art collection; I am drawn to artists who challenge the status quo, integrate new technologies, and explore new creative frontiers. This focus on innovation and creativity enriches my collection and resonates with my broader cultural and technological advancements interests. It reflects a synergy between my professional pursuits and personal passions, making the journey of collecting art an engaging and fulfilling experience.

The Art World

What was your happiest moment being involved in art?
One of the most exhilarating moments I’ve experienced in art was working on the 25th Anniversary NFT for Jay-Z’s iconic album Reasonable Doubt. Jay-Z called me, expressing interest in creating an NFT to celebrate this milestone. I noticed a Derrick Adams piece in his office as we discussed ideas. I had recently collaborated with Derrick on an NFT series for his Floater paintings, so I immediately thought he would be the perfect artist for this project.
We brought Derrick on board, and together, we developed the concept for a unique one-of-one artwork, culminating in an exclusive NFT auction at Sotheby’s. Working with Jay-Z, my favorite artist and avid collector, made this experience incredibly special. Being part of this creative process and celebrating one of the greatest albums of all time was a truly memorable moment in my journey with art. It underscored the power of collaboration and the exciting possibilities at the intersection of music, art, and technology.

What’s your art-world pet peeve?
One of my biggest pet peeves in art is the pressure to “FOMO” into purchasing an artist’s work, driven by galleries or curators touting the artist as the “next big thing” without substantial proof to support those claims. This hype can often be misleading and doesn’t provide a genuine basis for understanding the artist’s work or potential. It detracts from the authentic experience of discovering and connecting with art, shifting the focus from personal appreciation to speculative investment. I believe in making thoughtful and informed decisions, valuing the story and creativity behind each piece rather than getting caught up in market trends or unsubstantiated hype.

Who inspires you the most in the art world?
Stanley Whitney is hands-down the most inspiring artist. His journey in the art world is a testament to perseverance and staying true to one’s vision. Stanley’s work, characterized by an unconventional style and vibrant color arrangements, was not immediately understood or appreciated by many in the art community. Critics often questioned his approach, suggesting it didn’t fit within traditional art norms or lacked coherence.
Despite this, Stanley never wavered from his unique technique and artistic instinct. He continued to develop and refine his style, confident in his vision. It took many years for the broader art world to recognize the depth and brilliance of his work, but his persistence ultimately paid off, with his pieces now selling for millions of dollars.
Stanley’s journey resonates deeply with me, as I have always chosen the unconventional path in my life and career. His story is a powerful reminder that following one’s true path, even in the face of skepticism, can lead to remarkable success and recognition. It’s an inspiring narrative that reinforces the value of authenticity and resilience in the creative process.

Can you name three emerging artists who should be on our radar?
Three emerging artists who should be on your radar are Gabriel Mills, Zéh Palito, and Muofhe Manavhela.
Gabriel Mills’s exploration of identity and culture is captivating. He often blends abstraction with figuration, delving into complex narratives that reflect personal and collective experiences, making each piece resonate on multiple levels.
Zéh Palito is another artist making waves. He is known for his vibrant murals, which often focus on nature and community themes. His art is visually striking and imbued with sustainability and social cohesion messages, making it beautiful and thought-provoking.
Lastly, Muofhe Manavhela’s intricate and detailed compositions offer a fresh perspective. Her work often explores heritage themes and the interplay between traditional and contemporary cultural elements. It is rich in symbolism and provides a unique narrative style that captivates viewers.
These artists are pushing boundaries in their respective fields, and their work is a testament to the innovative and evolving nature of contemporary art.

What are you incredibly excited about regarding art in 2025?
I’m particularly excited about the growing trend of collectors being more open to sharing their collections with the world. This openness can significantly increase public interest in art and collecting, breaking down the barriers of what was once a somewhat secretive, closed-door society—historically, gaining an appreciation for fine art often required being part of an “in the crowd,” where knowledge and access were closely guarded.
As someone who believes in the principles of “open source technology,” I am passionate about changing this narrative. I want to encourage more transparency in the art world by showcasing the pieces I collect and sharing the stories behind them. I also want to explain why I’m involved in the art scene and, more importantly, give due respect to the artists who dedicate their lives to enhancing our visual world.
By fostering a more inclusive and accessible art community, we can inspire a broader audience to appreciate and engage with art, celebrating the creativity and vision of artists worldwide. This shift towards openness and inclusivity is exciting and essential for the continued growth and evolution of the art world.

P.S. Chris would like to give special thanks to Anwarii Musa, Arushi Kapoor, Guilherme Simões de Assis, Harmony Murphy, Sunserae Smith, Julie Banâtre, Larry Ossei-Mensah, Larry Warsh, Mary Sabbatino, Todd Kramer, and Troy Carter for your insight and guidance in helping shape his collection.

Related: Chris Lyons
Instagram: @chrislyons

Photos taken by Passion Ward (@passionward)

A selection of artists Chris collects:
Esther Mahlangu
Knowledge Bennett
Rick Lowe
Stanley Whitney
Zéh Palito

By Ricko Leung